Publications

Selected publications | Publications choisies

Click on images to download files or to link to publisher website / Cliquez sur l’image pour télécharger le fichier ou accéder au site Web de l’éditeur.

BOOKS / LIVRES

PCOND

D. Barney, G. Coleman, C. Ross, J. Sterne, T. Tembeck, eds. The Participatory Condition in the Digital Age. University of Minnesota Press, 2016.

Tamar Tembeck, ed. Auto/Pathographies. Alma: Sagamie édition d’art, 2014. [Eng/Fr]. Texts by / de: Terry Dennett, Angela Ellsworth and Tina Takemoto, Christina Lammer, Andrei Siclodi, Tamar Tembeck.

GUEST-EDITED SPECIAL JOURNAL ISSUE / DIRECTION DU NUMÉRO SPÉCIAL D’UNE REVUE SCIENTIFIQUE

ConflictedReporting_Cover

C. Ross, T. Tembeck & T. Tsentas, eds. Conflict[ed] Reporting. Special issue of Photography & Culture, vol. 8, issue 2 (July 2015). Table of Contents

PH.D. DISSERTATION / THÈSE DE DOCTORAT

Performative Autopathographies: Self-Representations of Physical Illness in Contemporary Art.

ARTICLES & CHAPTERS / ARTICLES & CHAPITRES

T. Tembeck, Autopathographies in New Media Environments at the Turn of the 21st Century.” In Carolyn R. Miller and Ashley Kelly, eds. Emerging Genres in New Media Environments. Palgrave Macmillan, 207-233. DOI: 10.1007/978-3-319-40295-6

T. Tembeck, “Selfies of Ill Health: Online Autopathographic Photography and the Dramaturgy of the Everyday.” Social Media + Society, vol. 2., no. 1 (Jan-March 2016). DOI:

C. Ross, T. Tembeck & T. Tsentas. “Introduction: Conflict[ed] Reporting.” Photography & Culture, vol. 8, issue 2 (July 2015): 153-158. DOI: 10.1080/17514517.2015.1076241

Publication: Recherches Feministes volume 27 numéro 2
Tamar Tembeck, “Re-performer le matrimoine: perspectives et témoignages sur l’héritage féministe en art actuel” Recherches Féministes vol. 27, no. 2 (2014): 21-37.

Télécharger un .pdf de l’article Re-performer le matrimoine (2014) [Fr]

Christina Lammer Empathography
Tamar Tembeck, “Pathography in Relation: On the Mutual Inflection of Doctor and Patient Identities in Empathography I.” In Christina Lammer, ed. Empathography, 53-65. Vienna: Löcker, 2012.
Stéphane Montavon and Tamar Tembeck, “Scenes for Ears.” In Maren Butte and Sabina Brandt, eds., Bild und Stimme, 20-28. Munich: Fink, 2011.
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Tamar Tembeck, “Giving Form to Pathos? On the Articulation of Suffering Experience in Non-Verbal (Auto)Pathographies.” In Peter Holzer et al, eds. An den Grenzen der Sprache. Kommunikation von Un-Sagbarem im Kulturkontakt, 85-99. Innsbruck University Press, 2011.
Narben / Scars
Tamar Tembeck, “Scars and the Responsibility of Reception.” In Franz Wassermann and Anita Moser, eds. Narben/Scars: Kunstprojekt zu sexueller Gewalt/An Art Project on Sexual Abuse, 72-83. Innsbruck: Studienverlag, 2011.
Tamar Tembeck, “Performer le réel: Mise en scène et réception du corps souffrant,” Jeu: Revue de Théâtre (135): 42-48, 2010.

Tamar Tembeck, “Exposed Wounds: The Photographic Autopathographies of Hannah Wilke and Jo Spence,” RACAR: Revue d’art canadienne/Canadian Art Review vol. 33, no. 1-2: Medical Tabulae (2008): 87-101. [click for pdf Tembeck_RACAR]

Tamar Tembeck, “Pathographie du Corps Dansant: Modalités de la Représentation Chorégraphique de la Maladie.” In Sylvie Fortin, ed. Danse et Santé: Du Corps Intime au Corps Social, 271-288. Québec: Presses de l’Université du Québec, 2008.

Tamar Tembeck, “Mona Hatoum’s Corporeal Xenology,” Thresholds (29: Inversions): 59-62, 2005. [click for pdf: Tamar Tembeck – Mona Hatoum’s Corporeal Xenology]

ARTISTIC RESEARCH / RECHERCHE-CRÉATION
Tamar Tembeck, "Matrimoine en Mouvements" (Fr/Eng), Impact Féministe sur l'art actuel / Feminist Impact on Contemporary Art. Montréal: La Centrale Galerie Powerhouse, 2015: pp.15-22.
Tamar Tembeck, “Matrimoine en Mouvements” (Fr/Eng). In Impact féministe sur l’art actuel / Feminist Impact on Contemporary Art. Montréal: La Centrale Galerie Powerhouse, 2015: pp.15-22.
Tamar Tembeck, "Exercise, Expression, Subjectivity: Developing 'Equations'." In C. Lammer, ed. Bewegende Gesichter / Moving Faces. Vienna: Löcker, 2015, pp. 87-120.
Tamar Tembeck, “Exercise, Expression, Subjectivity: Developing ‘Equations’.” In C. Lammer, ed. Bewegende Gesichter / Moving Faces. Vienna: Löcker, 2015, pp. 87-120.

Download .pdf of Exercise, Expression, Subjectivityessay [Eng], pp. 107-120.

SHORT ARTICLES, INTERVIEWS & REVIEWS / BRÈVES, ENTREVUES & COMPTE-RENDUS

T. Tembeck, “Mary Sherman: Dream Mechanics,” Mary Sherman: What if you could hear a painting, Leonardo Electronic Almanac, vol. 21, no. 2, 2016.

T. Tembeck, “Chantal duPont,” esse arts + opinions 86, 2016.

T. Tembeck, “Impressions from Documenta 12,” Locus Suspectus: Uncanny Sites of Visual Culture (5): 42-47, 2007.

T. Tembeck, “Theatre for Education in Oaxaca, Mexico: An Interview with Pedro Guillermo Castellanos Lemus” alt.theatre : Cultural Diversity and the Stage, vol. 3, no. 3, 2005.

T. Tembeck, “Bridging Art with Activism: In Conversation with Gabriel Levine of Le Petit Théâtre de l’Absolu,” alt.theatre : Cultural Diversity and the Stage, vol. 2, no. 4: 6-7, 2003.

T. Tembeck, “Marie Chouinard: Sculpting Solos for Two,” The Dance Current, vol. 5, no. 2:  21-23, 2002.

T. Tembeck, “The Staging of Desire: a Feminist Portrait of Marie Chouinard,” in Estivale 2000: Canadian Dancing Bodies Then and Now. Toronto: Dance Collection Danse: 191-198, 2002.